EO Opera Academy

Applications for 2025 Opera Academies now open. 

To apply for an opera academy place, please send a CV and a video or audio recording to ensembleorquesta@outlook.com.
Roles are allocated continuously upon receipt of suitable applications; for that reason there is no application deadline. 
Please note that roles in academies fill up quickly, so you are advised to apply as soon as possible to avoid disappointment.

​Applicants will be considered without attention to race, colour, religion, sex, sexual orientation, gender identity, national origin, or disability status.

See full list of 2025 Academies below, including dates, repertoire, venue and fees.

Unlock your potential.

Founded in 2014 by Marcio da Silva, Ensemble OrQuesta Opera Academy is dedicated to the training of the new generation of opera singers. Opera academies, which are held in a number of places in the UK across the year, give many talented young singers from all over the world the opportunity to perform complete roles in fully staged productions, in the original language, with professional ensemble accompaniment.

Singers benefit from ten days of rigorous tuition and training from the EO team of multi-skilled professionals, receiving coaching on technique, language, style, stagecraft, and movement. The carefully planned intensive programme culminates in two public performances. The exceptional quality of these academies has earned EOOA a flourishing reputation as an outstanding international young artist programme. 

Many of the singers who now perform in Ensemble OrQuesta's professional productions received their early training in stagecraft during an opera academy, and many of our new productions underwent the first stage of their development during these intensive courses.

We recognise that taking part in an academy or YAP intensive course is demanding both in terms of time and financial investment. We are fully committed to ensuring that all participants can make the most of the experience offered to them. 

We aim to provide as much information below regarding the scope, benefits and support levels of the Academies including testimonials from previous alumni, but if you have any further questions, please don’t hesitate to contact us.

2024 Academies.

  • Mozart: Don Giovanni (13th-22nd March 2025) Hastings

    The Ensemble OrQuesta team are putting together another academy of Mozart's Don Giovanni, this time with a revival of Marcio da Silva's 2017 minimalist production.

    Rehearsals will take place in Hastings from 13th to 21th March with a single performance on the 22nd of March, at Christ Church, St Leonards on Sea.

    This academy will be in partnership with the Hastings Philharmonic Orchestra and the performance will be accompanied by an HPO Ensemble of 8 musicians.

    Participating singers will be coached on style, movement and Italian, with a focus on recitatives.

    The academy will be led by EO’s artistic director Marcio da Silva and pianist Helen Ridout.

    Available Roles: Don Giovanni (Baritone), Leporello (Bass-Baritone), Don Ottavio (Tenor), Masetto (Bass-Baritone), Zerlina (Soprano), Donna Anna (Soprano), Donna Elvira (Soprano), Il Commendatore (Bass-Baritone)

    Performance date: 22nd March 7pm

    Venue: Christ Church, St Leonards on Sea

    Tuition fee: £1,000 (does not include accommodation - payments can be made in instalments)

    Application: To apply for an opera academy place, please send a CV and a video or audio recording to ensembleorquesta@outlook.com.
    Roles are allocated continuously upon receipt of suitable applications; for that reason there is no application deadline. 

    PDF of score with cuts

    Terms of Participation

    Rehearsal Schedule

  • Purcell: Dido & Aeneas | Handel: Acis & Galatea (22nd-31st May 2025) London

    The Ensemble OrQuesta team, for the first time since 2019, will put forward another academy fully taking place in London. This unique professional development opportunity will have rehearsals and performances taking place at The Cockpit, Marylebone.

    This academy will feature Marcio da Silva's 2018 production of Handel's Acis and Galatea in a double bill with his 2016 production of Purcell's Dido and Aeneas.

    The performances will be accompanied by Ensemble OrQuesta Baroque and the academy will be led by EO’s Artistic Director Marcio da Silva, EO's company member baroque tenor Kieran White and EO’s harpsichordist Predrag Gosta.

    Participating singers will be coached on style, movement and pronunciation.

    Available Roles: Dido (Soprano/Mezzo-Soprano), Belinda (Soprano), Second Woman (Soprano), Aeneas (Baritone), Sorceress/Sorcerer (Mezzo Soprano/Countertenor), First Witch (Soprano), Second Witch (Soprano/Mezzo-Soprano), Acis (Tenor), Galatea (Soprano), Polyphemus (Bass), Damon (Tenor/Soprano)

    Performance dates: 30th & 31st May

    Venue: The Cockpit, London

    Tuition fee: £1,000 (does not include accommodation - payments can be made in instalments)

    Application: To apply for an opera academy place, please send a CV and a video or audio recording to ensembleorquesta@outlook.com.
    Roles are allocated continuously upon receipt of suitable applications; for that reason there is no application deadline. 

    PDF of Dido and Aeneas

    PDF of Acis and Galatea

    Terms of Participation

    Rehearsal Schedule

  • Handel: Teseo (10th-22nd June 2025) London

    Ensemble OrQuesta’s final academy of the year will also take place in London with performances at The Cockpit, Marylebone.

    This academy will feature a new production by Marcio da Silva.

    The academy will be led by EO’s Artistic Director Marcio da Silva, EO's company member soprano Rosemary Carlton-Willis and EO's harpsichordist Predrag Gosta.

    Participating singers will be coached on style, movement and pronunciation.

    Available Roles: Teseo (Soprano/Mezzo-Soprano), King Egeo (Mezzo-Soprano/Countertenor), Princess Agilea (Soprano), Clizia (Soprano), Medea (Soprano), Arcane (Contralto/Mezzo-Soprano/Countertenor)

    Performance dates: 21st and 22nd June

    Venue: The Cockpit, London

    Tuition fee: £1,000 (does not include accommodation - payments can be paid in instalments)

    Application: To apply for an opera academy place, please send a CV and a video or audio recording to ensembleorquesta@outlook.com.
    Roles are allocated continuously upon receipt of suitable applications; for that reason there is no application deadline. 

    PDF of score with cuts

    Terms of Participation

    Rehearsal Schedule

Meet the Academy Team.

FAQs

  • As a team, we work hard to ensure that our academies offer coaching and training of the highest quality. These academies are recommended for classically trained singers. You will benefit from an academy:

    * if you want to improve the depth and range of your opera performance and broaden your CV

    * if you have limited stage experience and want help taking early steps into opera.

    * if you are keen to engage in a better quality performance experience than just 'scenes'.

  • There are a number of ways that distinguish EO Academies from other offerings in the market:

    * EOOA participants have the opportunity to learn a role in full.

    * Our workshop and rehearsal process is rigorous but supportive, providing appropriate opportunities for the refining of singing technique, language coaching, and the development of stagecraft.

    * Performance with a professional ensemble will build your confidence and enhance your musicality - these are vital characteristics if you want to stand out during future auditions.

    * Photos taken by a professional photographer will add a vibrant dimension to your profile.

    * We have a strong social media presence and we will help you publicise your role and performance.

  • Our team includes experienced vocal and language coaches and distinguished musicians. They will help you to develop and hone the attributes needed to succeed professionally. This will include:

    * Guidance on accurate pronunciation and intelligent use of language;

    * Guidance on sensitive and era appropriate musical phrasing and ornamentation;

    * Coaching on effective characterisation and emotional persuasiveness;

    * Coaching designed to develop awareness of the dramatic potential of movement

    * Coaching designed to increase performance confidence.

    All these elements maximise the ability of a singer to communicate effectively with an audience.

  • Each participant will be offered the opportunity to sing at least one full performance of the opera with professional specialised orchestral accompaniment.

  • Ensemble OrQuesta is committed to ensuring that all its participants feel at ease with the drama and movement being undertaken. We are pleased to announce that from April 2023 Helen May will act as intimacy coordinator for our academies. Helen is our academy manager. In her new role she will also ensure the well-being of our academy participants if they are working on scenes which are emotionally or physically challenging. Helen speaks fluent English and Portuguese.

  • Those who attend our academies become Ensemble OrQuesta alumni. Ensemble OrQuesta is delighted to offer additional opportunities to its most promising and hard-working alumni.

    Firstly, in the realm of OPERA:

    Distinguished EOOA alumni have been invited to join the cast of our professional productions. Since 2017, we have taken five professional productions to the Arcola Theatre in London for the well-recognised fringe opera festival, the Grimeborn Festival, and we have also taken four productions to The Cockpit Theatre in Marylebone. These productions have received 4* and 5* reviews (The Observer, The Stage, Opera Magazine, Plays to See, and others). Our 2020 production of La Calisto at The Cockpit received a nomination for an 'OFFIE' Award in the category Best Opera Performance for EOOA alumna Helen May in the role of Calisto. Our 2021 production of Alcina at the Arcola Theatre received an 'OFFIE' nomination for EOOA alumna Poppy Shotts in the role of Oberto. Our 2022 production of L'Incoronazione di Poppea received two OFFIE nominations - one for Opera Production one for Opera Performance.

    Secondly, in the realm of ORATORIO:

    Ensemble OrQuesta is regularly approached by conductors who are looking for soloists, and we are delighted to be able to recommend our alumni for paid choral society gigs. Sample recent engagements have included: Bach, Christmas Oratorio; Haydn, The Creation; Rossini, Petite Messe Solennelle; Schubert’s Mass in G; Vivaldi Gloria; Mozart Vespers; Handel, Messiah; Verdi, Requiem; Mozart, Coronation Mass; and others.

Previous Academies.